Sarah Hennies is a percussionist and composer whose work explores the sonic possibilities of both acoustic and electronic sound sources, often focusing on rhythmic patterns, repetition, and gradual change. Based in Ithaca, New York, Hennies's musical language defies easy categorization, drawing from minimalism, noise, free improvisation, and various vernacular traditions to create immersive sonic environments that challenge and engage listeners. Her approach to composition is deeply rooted in her percussive background; she employs a wide array of instruments and objects, both traditional and found, to explore timbral nuances and rhythmic complexities. Hennies's performances are known for their intensity and precision, as well as for their ability to transform the mundane into the extraordinary, inviting listeners to reconsider the sounds that permeate everyday life. A graduate of the Hartt School (BM) and the New England Conservatory of Music (MM), Hennies has continually pushed the boundaries of contemporary percussion through her innovative work. Her compositions have been performed by ensembles such as the Bang on a Can All-Stars, Alarm Will Sound, and the ICE Ensemble, and she has received commissions from groups including the PRISM Quartet and the Pittsburgh New Music Ensemble. Hennies's dedication to both performance and composition has led her to collaborate with artists across various disciplines, including visual artists, dancers, and media artists, further expanding the scope of her musical inquiries. Her recordings have been released on labels such as Innova, New World Records, and Cantaloupe Music, and she has performed at venues and festivals internationally, cementing her reputation as a compelling voice in contemporary music.