Doénado el Ur is a Barcelona-based composer and musician known for his innovative contributions to the electroacoustic music scene. In 1989, he established Prakuñá-Taller Ur, a collective dedicated to exploring contemporary soundscapes. His work often blends ritualistic and minimalist elements, drawing comparisons to the German "neue welle" movement and artists like Jon Hassell. Notably, his composition "Pentecostes" (1998) showcases his integration of traditional instruments with computer-generated sounds, reflecting his commitment to pushing musical boundaries. ([digibuo.uniovi.es](https://digibuo.uniovi.es/dspace/bitstream/10651/19305/2/TD_RDiazSoto%202.pdf?utm_source=openai))