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Judgement of Paris was a band formed in the early 90s in Minneapolis, emerging from a garage-rock scene to explore a new sound characterized by keyboard-driven, effects-laden ambient pop, often referred to as "dream pop." However, they transcended this label, earning the title of "trance-pop pioneers" from City Pages music critic Jim Meyer. Their music combined rolling tribal beats with medieval instruments like the hammered dulcimer and alto recorder, layered with fretless bass, guitars, and the soothing baritone of Christian Erickson, creating a sound reminiscent of the austere visuals found in Jim Jarmusch films. Despite focusing on studio work rather than live performances, Judgement of Paris garnered a small, dedicated following without the benefit of mailing lists, radio play, or extensive local press coverage. While they received sporadic positive reviews in national music magazines such as Alternative Press, B-Side, and Creem, this recognition did not translate into significant record sales or a long-term record deal. Over their six-year existence, they released two albums, "Conversion" in 1992 and "Signal" in 1994, along with several self-released cassettes and a compilation appearance. The band played their final show in November 1994. Judgement of Paris's music has been compared to that of Xymox, Japan, and Dead Can Dance, yet they developed their own unique creative conventions. Their work is noted for its intelligent pop sensibility, blending

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