Felicity Mangan is an Australian artist and composer based in Berlin, Germany. In different situations, such as solo performances and collaborative projects, Felicity samples and plays her field recordings and found sounds to create quasi-bioacoustic music. She has released several solo publications, one on Longform Editions titled Stereo’frog’ic, a play on the word stereophonic – presenting a sound piece crafted from found recordings of frogs, insects, and other ‘vocal’ animals wavering about in a stereo field, As well as Creepy Crawly (Mappa Editions) and Bell Metal Reeds (One Instrument). More recently, she released Wet on Wet (Klangklamm/Warm Winters Ltd.), Train Tracks, and a single Körner Park (Care of Editions). Felicity has presented projects in many settings, including Technosphärenklänge CTM/HKW, Sonic Act Academy, and Sound Design for 100 Climate Conversations for the Powerhouse Museum, Sydney, Australia.
